Witness Stephen King's triumphant, blood-spattered return to the genre that made him famous. Cell, the king of horror's homage to zombie films (the book is dedicated in part to George A. Romero) is his goriest, most horrific novel in years, not to mention the most intensely paced. Casting aside his love of elaborate character and town histories and penchant for delayed gratification, King yanks readers off their feet within the first few pages; dragging them into the fray and offering no chance catch their breath until the very last page. . More info

On an island off the coast of Maine, a man is found dead. There’s no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues, and it’s more than a year before the man is identified.

And that’s just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? . More info

Fans watching the 2004 baseball playoffs were often treated to shots of Stephen King sitting in the stands, notebook in hand. Given the bizarre events on the field, from the Red Sox's unprecedented comeback against their most hated rivals to their ace pitcher's bleeding, stitched-together ankle--not to mention the Sox's first championship in 86 years--you could be forgiven for thinking King was writing the script as he went along, passing new plot twists down to the dugouts between innings.  More info

All good things must come to an end, Constant Reader, and not even Stephen King can make a story that goes on forever. The tale of Roland Deschain's relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best.

Roland's ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors -- in Thunderclap's Fedic; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and Sixty-first with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where "walk-ins" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters.

Thus the book opens, like a door to the uttermost reaches of Stephen King's imagination. You've come this far. Come a little farther. Come all the way. The sound you hear may be the slamming of the door behind you. Welcome to The Dark Tower. More info

RKing's epical Dark Tower hastens to a close, and its penultimate volume is one of the speediest. The gunslingers of Mid-World and other alternate Earths have defeated The Wolves of the Calla (2003) but lost one of their number. Susannah Dean, nee Odetta Holmes, lacking her lower legs after a minion of the Satan of Mid-World, the Crimson King, pushed her in front of a subway train, and whose personality is sometimes split between black bourgeoise Odetta and viciously paranoiac Detta Walker, has been taken over by the spirit Mia to be the body in which Mia will gestate a boy who will eventually kill head gunslinger Roland. The child is to be born in New York in 1999, which is where Susannah-Mia repairs through one of the doors between worlds. The other gunslingers pursue through the same door, but only 11-year-old Jake Chambers, accompanied by former 'Salems' Lot priest Don Callahan, get to New York. Roland and Susannah's husband, Eddie Dean, tumble into an ambush in New England in 1977. Each chapter--called a stanza and ending with two songlike quatrains--advances one subset of gunslingers' progress. King keeps us on tenterhooks throughout--and leaves us there. Before quite departing, he tacks on a clever coda about the gradual creation of the Dark Tower--but in which world? The series concludes with The Dark Tower in September. More info

Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland's youth to the crimson chaos that seems the future's only promise. Readers of Stephen King's epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland's world; and Oy, the Billy-Bumbler.

In this long-awaited fifth novel in the saga, their path takes them to the outskirts of Calla Bryn Sturgis, a tranquil valley community of farmers and ranchers on Mid-World's borderlands. Beyond the town, the rocky ground rises toward the hulking darkness of Thunderclap, the source of a terrible affliction that is slowly stealing the community's soul. One of the town's residents is Pere Callahan, a ruined priest who, like Susannah, Eddie, and Jake, passed through one of the portals that lead both into and out of Roland's world.

As Father Callahan tells the ka-tet the astonishing story of what happened following his shamed departure from Maine in 1977, his connection to the Dark Tower becomes clear, as does the danger facing a single red rose in a vacant lot off Second Avenue in midtown Manhattan. For Calla Bryn Sturgis, danger gathers in the east like a storm cloud. The Wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to, and they can give the Calla-folken both courage and cunning. Their guns, however, will not be enough. More info

From the Buick 8

The state police of Troop D in

 rural Pennsylvania have kept a secret in Shed B out back of the barracks ever since 1979, when Troopers Ennis Rafferty and Curtis Wilcox answered a call from a gas station just down the road and came back with an abandoned Buick Roadmaster. Curt Wilcox knew old cars, and he knew immediately that this one was...wrong, just wrong. A few hours later, when Rafferty vanished, Wilcox and his fellow troopers knew the car was worse than dangerous -- and that it would be better if John Q. Public never found out about it.

Curt's avid curiosity taking the lead, they investigated as best they could, as much as they dared. Over the years the troop absorbed the mystery as part of the background to their work, the Buick 8 sitting out there like a still life painting that breathes -- inhaling a little bit of this world, exhaling a little bit of whatever world it came from.

In the fall of 2001, a few months after Curt Wilcox is killed in a gruesome auto accident, his 18-year-old boy Ned starts coming by the barracks, mowing the lawn, washing windows, shoveling snow. Sandy Dearborn, Sergeant Commanding, knows it's the boy's way of holding onto his father, and Ned is allowed to become part of the Troop D family. One day he looks in the window of Shed B and discovers the family secret. Like his father, Ned wants answers, and the secret begins to stir, not only in the minds and hearts of the veteran troopers who surround him, but in Shed B as well....

From a Buick 8 is a novel about our fascination with deadly things, about our insistence on answers when there are none, about terror and courage in the face of the unknowable.  More info

Dreamcatcher

Twenty years ago, a boy named Jack Sawyer travelled to a parallel universe called The Territories to save his mother and her Territories "twinner" from a premature and agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, WI. He has no recollection of his adventures in the Territories and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories.

When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades earlier by a real-life madman named Albert Fish, the killer is dubbed "The Fisherman" and Jack's buddy, the local chief of police, begs Jack to help his inexperienced force find him. But is this merely the work of a disturbed individual, or has a mysterious and malignant force been unleashed in this quiet town? What causes Jack's inexplicable waking dreams, if that is what they are, of robins' eggs and red feathers? It's almost as if someone is trying to tell him something. As that message becomes increasingly impossible to ignore, Jack is drawn back to the Territories and to his own hidden past, where he may find the soul-strength to enter a terrifying house at the end of a deserted track of forest, there to encounter the obscene and ferocious evils sheltered within it. More info

On Writing: A Memoir of the Craft

"If you don't have the time to read, you don't have the time or the tools to write."
In 1999, Stephen King began to write about his craft -- and his life. By midyear, a widely reported accident jeopardized the survival of both. And in his months of recovery, the link between writing and living became more crucial than ever.

Rarely has a book on writing been so clear, so useful, and so revealing. On Writing begins with a mesmerizing account of King's childhood and his uncannily early focus on writing to tell a story. A series of vivid memories from adolescence, college, and the struggling years that led up to his first novel, Carrie, will afford readers a fresh and often very funny perspective on the formation of a writer. King next turns to the basic tools of his trade -- how to sharpen and multiply them through use, and how the writer must always have them close at hand. He takes the reader through crucial aspects of the writer's art and life, offering practical and inspiring advice on everything from plot and character development to work habits and rejection.

Serialized in the New Yorker to vivid acclaim, On Writing culminates with a profoundly moving account of how King's overwhelming need to write spurred him toward recovery, and brought him back to his life.

Brilliantly structured, friendly and inspiring, On Writing will empower -- and entertain -- everyone who reads it. More info

Riding the Bullet

E-publishing takes a giant step with the release of this grandly entertaining ghost story. Not only is it the first original e-publication by a megaselling author, but it may be the most accomplished work ever to appear only in cyberspace--and it's available through an unprecedented number of vendors and platforms. The story is vintage King. Narrator Alan Parker, 21, learns that his beloved mother has had a stroke and hitchhikes through rural Maine to see her. On the way he's picked up first by a horrid old man, then by someone far more awful: a dead young man who offers him a terrible choice. The simple, potent prose skims along spurred by high suspense. The atmospherics roil like a classic nightmare: a moonlit graveyard, howling wind, rising mist; but King spins them with a wicked modern touch--the dead man drives a Mustang, and as the corpse pulls on a cigarette, Alan sees "little trickles of smoke escape from the stitched incision on his neck." When Alan makes his choice, the story deepens as King taps horror fiction's particular ability to illuminate the terror of the human condition. Anyone concerned about King's writing abilities after his near-fatal accident can relax. This genuinely chilling, haunting tale finds his talent--and the state of e-publishing--in the pink. More info