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Nevada is mostly a
long stretch of desert you cross on the way to somewhere
else. And with someone else, if you're lucky...because it's
a scary place. Headed down Route 50 in the brutal summer
heat are people who are never going to reach their
destinations. Like the Jacksons, a professor and his wife
going home to New York City; the Carvers, a Wentworth, Ohio,
family bound for a vacation at Lake Tahoe; and aging
literary lion Johnny Marinville, inventing a gonzo image for
himself astride a 700-pound Harley. A dead cat nailed to a
road sign heralds the little mining town of Desperation, a
town that seems withered in the shade of a man-made mountain
known as the China Pit. But it's worse than that, much
worse. Regulating the traffic there is Collie Entragian, an
outsize uniformed madman who considers himself the only law
west of the Pecos. God forbid you should be missing a
license plate or find yourself with a flat tire. There's
something very wrong here, all right, and Entragian is only
the surface of it. The secrets embedded in Desperation's
landscape, and the evil that infects the town like some
viral hot zone, are both awesome and terrifying. But as
young David Carver seems to know - though it scares him
nearly to death to realize it - so are the forces summoned
to combat them. |
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Entertainment
Weekly
King is at the top of his game.
Publisher's Weekly
If the publishing industry named a Person of the Year, this
year's winner would be Stephen King. Not only is he writing
the first modern novel to be serialized in book form (The
Green Mile), but with the publication on Sept. 24 of The
Regulators (Dutton; Forecasts, June 17) and Desperation, he
becomes the first bestselling authormaybe the first author
everto issue three new major novels in one calendar year.
And there's more. With this astonishing work, King again
proves himself the premier literary barometer of our
cultural clime. For if The Regulators is a work of secular
horror, this is a novel of sacred horror (King's first), and
explicitly so. Like the second panel of a diptych,
Desperation employs, with one major exception, the same
characters as The Regulators, and the same source of horror:
an evil force named Tak. (The novels aren't sequential,
however; people who die in one can live, then die, in the
other.) The exception is David Carver, 11, who, with a
handful of other passers-through, including a major writer
who's recently embraced sobriety, is trapped in the desert
mining town of Desperation, Nev. There, Tak stalks them by
possessing humans and turning them into homicidal maniacs,
and by unleashing armies of coyotes, spiders and scorpions.
The terror is relentlessthis is King's scariest book since
Miserythough the storytelling is looser than in The
Regulators to allow room for spiritual themes. For united
against Tak are not only David and his pals, but also God,
who moves through the boy. King's God is the God of Job,
implacable, beyond human ken. As the savageries inflicted
upon David and others multiply, they must discern: What is
God's will? And, how can God's will be done, when it seems
so cruel? Near the story's end, the writer muses that horror
"isn't the sort of stuff of which serious literature is
made." King knows better, and so will anyone who reads this
deeply moving and enthralling masterpiece of the genre.
1,750,000 first printing; BOMC main selection; simultaneous
Penguin Audiobook. (Sept.)
The New Yorker
Cracking wise about Stephen King never feels unfair, since
he radiates such an exuberant and inviting pleasure in his
own work. Our admiration for him should encompass not only
his boyish imagination and bottomless industry, . .. but the
scurfy realism of his native settings. Nothing gets by him.
. . . All of King's wilder material is built upon {a} . . .
dead-on knowledge of a post-consumer America, which he views
without the cushioning of sentiment, or even irony, and
because he gets it right we're happy, even eager, to accept
his walk-on timber wolves heeding the otherworldly command
'Mi him, en tow!' and the rest. His land is our land, right
out of USA Today and Hard Copy. . . . For King, none of this
is evil, even in the depersonalizing Wal-Martian sense; it's
just there. This America is the old King place, his haunted
house, and we hurry up the steps in response to his cheerful
invitation, eager to find how he has made the boring
landmark so fresh and scary once again.
Library Journal
"Classic Stephen King," reports the publicist, nicely
wrapped in a 1.75 million-copy first printing. Here, a
sheriff in the far reaches of Nevada kidnaps travelers along
his stretch of highway.
BookList - Ray Olson
King's third new yarn this year is as pell-mell an action
thriller as any he has written and one of his sweetest
performances. It has several links to his new Richard
Bachman opus, The Regulators; for instance, it has some
characters with the same names and occupations, though not
personalities, and the same vaporous alien antagonist at the
bottom of the same mine. The alien force is loose in
Desperation, Nevada, and, having occupied the bodies of a
succession of citizens (it needs to pass from one human
vehicle to another because its vigor is so intense that its
host hemorrhages to death within hours), has gruesomely
slaughtered everyone else in town. Now in the body of a
patrolling cop, it is picking up people motoring by on U.S.
50. Foremost among those are burned-out novelist Johnny
Marinville and 11-year-old David Carver, who barely a year
ago underwent a serious religious conversion and
occasionally hears the voice of God. It is God--the God of
the Christian Bible, both Testaments--Who eventually saves
Johnny, David, and the rest of those who survive
Desperation, but saves them only by means of their own free
will and their own heroic and gory exertions. If King wants
to show how to inject religion honestly and effectively into
the normally crass horror genre, he succeeds beautifully. |
