Stephen King The Dark Tower - II Drawing of the Three

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The Dark Tower II - Drawing of the Three
by Stephen King
Publisher: Simon & Schuster
Published: Jun 1997 (Paperback 463 pages)
Published: Dec 1998 (Hardcover 1132 pages)

 

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Dedication

First Line

About the Book

Media Reviews

Paper Back

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Related Books
The Dark Tower I: The Gunslinger
The Dark Tower III: The Wastelands
The Dark Tower IV: Wizard and Glass
The Dark Tower V: Wolves of the Calla
The Dark Tower VI: Song of Susannah
The Dark Tower VII: The Dark Tower

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Dedication

To Don Grant, who's taken a chance on these novels, one by one.

First Line

The gunslinger came awake from a confused dream which seemed to consist of a single image: that of the Sailor in the Tarot deck from which the man in black had dealt (or purported to deal) the gunslinger's own moaning future.

About the Book

The Man in Black is dead, and Roland is about to be hurled into 20th-century America, occupying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant work of dark fantasy inspired by Browning's romantic poem, "Childe Roland to the Dark Tower Came". Like The Gunslinger, The Drawing of the Three is a brilliant work of dark fantasy, inspired by Browning's romantic poem, "Childe Roland to the Dark Tower Came."

Media Reviews

AudioFile - Ruth P. Ludwig
In a re-issued collection of the first three books of King's fantasy saga, Frank Muller revisits the world of Roland of Gilead, Jake Chambers, and Eddie and Susanna Dean. King himself originally recorded the three books as he wrote them over a period of ten years. Muller recorded book four, Wizard and Glass, in 1997. The series centers around Roland of Gilead, the last gunslinger to walk the earth since the world "moved on." Roland travels in search of the dark tower, a mysterious, never-seen entity he believes holds the key to the world's having moved on. In a series that provides 36 hours of listening to the same voice (with no special effects), one expects a lapse in interest. But Muller, the master of narration, pulls out all the stops here. He makes characters unmistakable through dialogue and timing. In fast-paced conversation, dreams or breakneck bursts of action, he moves effortlessly among dozens of people. Narrative passages flow with equal grace and fluidity. Muller uses tricks, such as dragging out words and phrases, singing when the characters sing, and contriving animal and mechanical voices. Even his Foreword and Afterword sound like Stephen King . . . with one exception: The author would never pronounce his home city "Bang-er," rather than the "Bang-gore" of a native Mainer. R.P.L. ŠAudioFile, Portland, Maine 

 





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